Darlene Foster's Blog

When our friends inquired what I wanted to see while visiting them in France, I asked if Giverny, the home of Claude Monet, was near. They said it was only one hour away and would be happy to take us there. I am so glad we went to this magical place. It felt like I had stepped into a Monet painting.

Monet’s garden

The village of Giverny is storybook delightful and I can see why Monet chose it as a place to live, paint, garden and raise his large blended family.

The village of Giverny

The gardens are simply breathtaking. This was Monet´s happy place and it is evident he was inspired by the amazing array of shapes and colours. I gazed mesmerized at the well-known and oft-painted lily pond.

And I stood on the same bridge I have long admired in his painting. Not only was this visit a dream come true, it felt like a living dream!

“I must have flowers, always, and always.” ― Claude Monet

“I perhaps owe having become a painter to flowers. ” – Claude Monet

A profusion of colours

His charming house is incredibly comfortable with views of the gardens from every room. As I entered, I half expected Monet to be there welcoming me as he did many guests in the past. His art and that of his contemporaries adorn the walls of all the rooms as it did when he lived there. His spirit permeates the rooms.

Monet’s house in Giverny

My favourite room was the sunny, cheerful kitchen. I imagined Claude, Anne and their eight children laughing and chatting as they shared meals.

We visited the Impressionist Art Gallery on site and had a lovely meal overlooking part of the garden. I stopped at a small shop in Giverny and bought the perfect, handmade French hat to remember this auspicious visit.

Water Lily Pond with Japanese Bridge by Claude Monet

I could have stayed all day, but alas it had to end. This is now my happy place which I will return to in my mind many times. Thank you, Alain and Cathy, for taking me here!

Friends in the garden

“I must have flowers, always, and always.” ― Claude Monet

The photographs by Darlene Foster, Paul Foster and Cathy Marsen